Canon CR-N700 PTZ 4-Camera Streaming Kit (Pro Kit)

For churches, event venues, and educational facilities who want to upgrade to a truly professional-grade setup, this kit is for you. It includes top-of-the-line Canon PTZ cameras, along with BlackmagicDesign’s newest ATEM models, the Television Studio HD8, The HD8 ISO, and even the 4K model.

Canon is known for its color science, making the image (especially skin tones) consistently beautiful. Canon’s dual-pixel autofocus engine is also the envy of the industry, pushing Sony to be the champion of all autofocus engines. And now Canon has pushed all of its power into the PTZ line of cameras which are perfect for churches and event venues that want a more premium, broadcast-quality video system.

Note: The ATEM Television Studio HD8 and HD8 ISO are 1080P devices, so the 4K camera signal will get downsampled to 1080P. However, the increased image quality is unmatched with Canon’s 1.0-inch Type CMOS sensor and 10-bit 4:2:2 image quality. If you upgrade to the Television Studio 4K8, you can take advantage of full 4K recording and even live streaming, though it’s still recommended to downsample the live stream.

What’s Included in this Kit?

• Blackmagic Design ATEM Television Studio HD8
• 4 Canon CR-N700 4K PTZ Camera (15X Zoom)
• 1 Canon RC-IP100 PTZ Controller
• 4 PTZ Wall Mount (Ceiling mount available on request)
• 24″ Monitor for Multiview Production Monitoring
• 4 100′ Camera Cable Packages (Longer lengths available via custom quote)
• Power-Over-Ethernet Gigabit Switch
• 1TB SSD Hard Drive for Recording
• Audio Adapters & Cables
• 12 Months of Access to Premium Training Sessions
• NEW! Free Team Access to the Live Streaming Academy

Auto-tracking & Auto Looping are Paid Add-On Apps

Canon CR-N700 NDI|HX 15x 4K PTZ Camera

An exceptional 4K60P professional PTZ camera with 12G-SDI connectivity and class-leading autofocus with intelligent head detection and eye tracking.

Features

• 4K 60P Image Quality
  Captures exceptional broadcast-level imagery in up to 4K UHD 60P, 4:2:2 10-bit
• 1.0-inch Type CMOS sensor
  Produces incredible depth of field with high sensitivity and low noise, even in low light
• DIGIC DV7 Processor
  Powerful image processing for exceptional results
• 15x Optical and 30x Advanced zoom
  Image stabilized 15x Optical zoom in 4K or up to 30x Advanced zoom in Full HD
• Region of Interest Cropping
  Intelligent cropping of a feed enables a single camera to produce two video feeds up to FHD
• HDR Imagery
  Exceptional 4K HDR imagery for PQ or HLG formats, plus Canon Log 3 and Wide DR
• Dual Pixel CMOS AF with EOS iTR AF X
  Smooth, fast, and accurate autofocus with ‘deep learning’, head detection, eye detection and tracking
• Inbuilt Protocols
  Including NDI|HX*, SRT, FreeD, RTMP/RTMPS, RTP/RTSP, Canon XC and Standard Communication protocol
  * NDI is a trademark or registered trademark of NewTek, Inc. in the United States and other countries
• Flexible connectivity
  A host of connectors such as 12-G-SDI, 3G-SDI, HDMI, Gen lock and Dual XLR audio inputs

Close the distance with unrivalled clarity
Harness the power of a 1.0-type 4K sensor and DIGIC DV7 processor with Dual Pixel AF. A 15x optical zoom (30x in Full HD) captures productions in exceptional detail, even in Night Mode. Stream 4K60P and HDR quality broadcast footage via a wide range of IP protocols.

4K detail for imaging excellence
A 1.0-Type CMOS sensor and DIGIC DV7 processor deliver 4K UHD 60P imagery in up to 4:2:2 10-bit, 12G-SDI and HDMI for broadcast-standard image quality, plus 4K60P over IP.

Class-leading optical precision
The CR-N700’s high-performance lens has a 15x optical zoom (25.5mm – 382.5mm, 35mm equivalent) plus a 30x Advanced Zoom when shooting in Full HD. And when conditions are unstable, Canon’s renowned Image Stabilizer captures optimal footage.

Award-winning Auto Focus technology
Fast, intelligent, and extremely accurate focussing via multiple modes thanks to Canon’s proprietary Dual Pixel CMOS AF technology with advanced EOS iTR AF X.

• EOS iTR AF X
  Deep learning autofocus technology locks onto a subject’s head, even if they turn away.
• Eye Detection AF
  Detects and tracks the subject’s pupil for precise focusing.
• Face Priority/Face Only AF
  Face Priority AF prioritizes the subject’s face, while Face Only AF responds when a face is detected.
• Touch AF
  Select your own focus point on the screen with the Remote Camera Control Application.
• Dual Pixel Focus Guide
  A visual representation showing when a subject is in focus.

Multiple protocols for seamless integration
The CR-N700 features SRT and NDI|HX1 that produce high-quality video streams for broadcasters. RTMP/RTMPS, RTP/RTSP are included, along with Canon XC and Standard communication protocols, plus FreeD for integration into virtual productions.

Powerful HDR imagery and low-light capture
Achieve stunning HDR imagery with direct recording into either PQ or HLG formats. A range of custom picture settings includes Canon Log 3 and Wide Dynamic Range to match your image with other Canon cameras.

Crop function – single camera, two video feeds
Select and extract a point of interest via a separate feed. The chosen area can then be output as a main or secondary signal and up to two cropped areas can be set in FHD.

Low-Light Mode
Capture footage in near-darkness thanks to IR Mode, which extends the spectrum visible to the camera.

Comprehensive connectivity
Connect flexibly with 12G-SDI, HDMI or IP (PoE++) all supporting 4K60P, as well as professional dual XLR audio inputs. CR-N700 also includes 3G-SDI and GEN-LOCK.

Smooth and precise control
The CR-N700 has a high-precision drive mechanism for fine Pan and Tilt movement as slow as 0.1°/s. Compatible with the RC-IP100 controller and Remote Camera Control Application controllers, it can also be configured with selected third-party units.

Blackmagic Design ATEM Television Studio HD8

The new ATEM Television Studio HD is a professional live production switcher built into a broadcast control panel so it can be used for high end work while being extremely portable. This means you can use it in small venues that don’t have the access for equipment racks or broadcast vans. You get a powerful switcher with 8 standards converted SDI inputs, 2 aux outputs, 4 chroma keyers, 2 downstream keyers, SuperSource, 2 media players and lots of transitions! Plus it includes a whole television studio of features such as hardware streaming, recording, audio mixer, talkback, multiview and optional internal cloud storage. There’s even an ISO model that records all 8 inputs for editing!

You get an incredibly powerful 8 input switcher with both program and two aux outputs so you have everything you need for mobile production. That means you can connect up to 8 cameras! Plus you get professional camera control, talkback and audio mixing all designed into a familiar broadcast panel.

The ISO model records all inputs into separate files so you can edit using any NLE that supports multi-cam! That’s possible because all files have perfect timecode sync! Plus with built in network storage, you can edit while recording! Multiple users can even share media and collaborate!

With a built in hardware streaming engine, you can live stream your event to a global audience! Recording to H.264 files with AAC audio means you get the correct format to upload to YouTube. Plus you share live broadcasts with your audience by using the aux outputs and large screens and projectors!

While ATEM Television Studio HD is a compact design, it still includes very powerful broadcast features! If you’re interested in a career in the television industry, then it’s perfect for training as it has the same features as switchers in high-end broadcast studios. You get an advanced broadcast-grade switcher, with built-in ATEM Advanced Chroma Keyers, Fairlight audio mixer, DVE, still store for graphics and much more! Most of the features can be operated from the front panel, or you can use the free ATEM Software Control on Mac or Windows to access even more features! With a little fun experimentation, it’s possible for anyone to create high-end broadcast-quality live television!

There’s never been a switcher that’s easier to use, as you simply press any of the program row buttons on the front panel to cut between video sources. Or you can pre-select a source on the preview row and then choose between cut or effect transitions by selecting the cut or auto buttons. You can select from exciting transitions such as dissolve, or more dramatic effects such as dip to color, DVE squeeze and DVE push. You can even add a DVE for picture-in-picture effects with customized graphics. There are also media players which let you store graphics with alpha channels for titles and graphics that you can load as live video inputs. Then you can live stream the results!

With the all-in-one design, you can build a new generation of ultra-compact broadcast vans! You don’t need racks of equipment, so you can eliminate clutter for a much nicer work environment. For stability, you can even mount the switcher inset into the desk!

Some of the most exciting venues, such as downstairs music venues or comedy clubs, are too small for racks of video equipment. However, ATEM Television Studio can be carried into any venue! It’s also easy to pack up, even if the venue is still crowded.

ATEM Television Studio is perfect for creating educational content! As the ISO model records the video inputs, you can finesse edits, replace shots and even add color correction! Plus you can even connect to Zoom to incorporate live chat with students!

ATEM Television Studio is perfect for live sports because it has a simple design that’s easy for community volunteers to use. It can be installed into sports clubs or taken on the road with the team! With up to 8 cameras, you’ll catch all the exciting angles!

The ATEM Television Studio HD combines a switcher and control panel into the same unit, so it’s extremely portable. You get everything you need! The front panel includes buttons for selecting sources, triggering transitions and setting up video effects. Plus the buttons are the same high-end type used on expensive broadcast switchers! You also get a built-in t-bar for manual transition control! The front panel even has an innovative audio mixer control area with live metering on a dedicated LCD. There are also buttons for recording and streaming control, plus live aux switching that lets you change aux outputs between all 8 cameras, program, preview or the multiview.

With 8 3G-SDI video inputs, ATEM Television Studio HD lets you connect multiple cameras for different views of the performance. Video cameras with SDI outputs, such as Blackmagic Studio Camera or Blackmagic URSA Broadcast G2, are much better quality as they have better low-light performance and use professional lenses. All video sources will re-sync to the switcher, even if they operate at different video standards. Everything just works so setup on location is easy and you don’t have to worry about technical problems. Imagine taking advantage of the creative freedom of multi-camera live production for interviews, advertorials, theater productions, music performances, sports and more!

One of the benefits of ATEM Television Studio is the range of professional built-in video effects! The cut button ensures an instant cut when switching between sources. The t-bar fader can be used to transition video effects, or you can do the transition automatically by pressing the auto button. Auto uses the transition duration set in the system control. You can also select the type of effect you want including mix, which does a smooth transition between sources, or dip which transitions via a third video source, such as a color generator. There is a wide range of SMPTE wipes included, plus fun DVE effects that slide or squeeze the image off-screen when transitioning between video sources!

ATEM Television Studio includes the same kind of transitions found on expensive broadcast switchers. This means the effects and transitions can be customized in many different ways, so they are surprisingly powerful. You’ll never stop finding new ways of using them! That’s because all transitions can be customized by adjusting parameters such as duration, border color, border width, position and direction. You can even use the DVE with a wipe transition, where the DVE moves a graphic over the wipe edge. That’s called a graphic wipe and it’s often used in sports broadcasting. The preview transition button can be used to set up effects offline, which is great for eliminating mistakes.

ATEM Television Studio HD features an independent DVE that lets you reposition graphics and create picture-in-picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real-time. The DVE lets you create professional picture-in-picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze, swoosh and push effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions! Pus there is also a SuperSource multi-layer processing engine with 4 extra DVEs!

The built-in media pool stores broadcast-quality graphics and animations that can be played back using the built-in media players. Media players appear as independent sources so you don’t need to waste any of the SDI inputs for graphics. For the highest quality, all media supports RGB colorspace with alpha channel, allowing transparency and layering. The media pool can hold 20 HD resolution stills. Motion graphics clips for animations and stingers can be up to 400 frames in 720HD and 200 frames in 1080HD. The ATEM Software Control allows you to upload and manage media. You can even prepare graphics in Adobe Photoshop and then download to the media pool using the free ATEM Photoshop plug-in!

ATEM Television Studio is perfect for news and on-set presentation work because it features 4 ATEM Advanced Chroma Keyers for green screen keying effects. The chroma keyers are incredibly powerful and include features such as a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the foreground and background layers for seamless compositions. You can even use it for title overlays by creating graphics with a green or blue background. With 4 ATEM Advanced Chroma Keyers, ATEM Television Studio is perfect for creating fixed-camera virtual sets!

Canon’s PTZ Controller

Canon’s RC-IP100 controller provides control for up to 100** supported cameras*. Additionally, through the serial port, the RC-IP100 can control one compatible Canon camera via the NU protocol. The controller is equipped with a large 7” diagonal touch screen, zoom lever and joystick in order to pan, tilt, zoom and change camera picture settings with precise precision. The smooth responsiveness of the joystick allows operators to capture on-air movements with confidence. Pair this controller with a supported Canon PTZ camera to create the ideal camera/controller combination into your video production.

Key Features

• Control up to 100 Canon Supported cameras
• Smooth PTZ movement and Precise Control for Professional Productions
• Adjust Pan, Tilt, Zoom and Change Camera Function Settings Remotely
• Equipped with 7” diagonal Touch Screen, Control and Zoom Lever and 4 Customizable Buttons

Supported Canon cameras include:

• • CR-N700
  • CR-N500
  • CR-N300
  • CR-X500
  • CR-X300
  • C500 Mark II (requires firmware v1.0.3.1 or later)
  • C300 Mark III (requires firmware v1.0.1.1 or later)
  • XF605 (requires firmware v1.0.1.1 or later)
• 2-Year warranty